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American Young Artists AssociationYouth Division · New Yorkinfo@americanyoungartists.org

Jazz Instrumental

Language, listening, improvisation, and the search for an individual voice.

The discipline

Jazz is both a historical tradition and a living, evolving artistic language. Participants deepen their understanding of repertoire while developing an authentic individual voice.

The Jazz track supports young instrumentalists who demonstrate a strong foundation in rhythm, ensemble awareness, improvisation, stylistic understanding, and creative communication.

The program values communication and musical judgment as much as technical display⁠—encouraging artists to listen, respond, and shape music in real time alongside others.

A double bassist performing under warm stage light
Program development may include
  1. 01Repertoire selection and set construction
  2. 02Improvisation and interpretation
  3. 03Small-combo and collaborative performance opportunities
  4. 04Work with rhythm-section players and guest artists
  5. 05Jazz standards, original music, and cross-genre programming
  6. 06Performance etiquette, cueing, and stage communication
  7. 07Live performance preparation
  8. 08Selected interdisciplinary projects with singers or dancers
  9. 09Artistic conversations, listening sessions, or mentorship
Audition requirements

Two contrasting selections

8–15minutes total

Demonstrating time, feel, improvisation, listening, stylistic understanding, and individual voice.

I.

Groove & development

One selection should demonstrate a clear groove and improvised development. Include the melody or principal material and enough improvised content for the committee to evaluate development and interaction.

II.

Contrast & form

The second should provide meaningful contrast in tempo, style, character, or form⁠—a standard, blues, ballad, bebop, Latin or Afro-Cuban repertoire, contemporary jazz, or an original. A high-quality accompaniment track may be used when live collaborators are unavailable.

The committee evaluates rhythmic command, sound, improvisational language, form, ensemble awareness, creativity, musical judgment, and communication.